Noah's Ark 1999 Film Download
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NotesChapter One1.-For detailed studies of memorials and other public mourning forDiana in the UK and elsewhere, see Kear and Steinberg 1999; Wood1998; Walter 1999; Walter and Biddle 1998.2. An example of obliteration, followed years later by rectification,has taken place at the former site of Mount Cashel Orphanage in St.John's, Newfoundland. Following the trials that led to the convictionsof several Christian brothers on counts of sexual and physical assault in1989, the orphanage was closed. The buildings were razed in 1992 (Bates1993). All that remained were several gateposts, painted grey and em-blazoned with the Irish cross. In 1997, the land was purchased for theconstruction of a Sobey's grocery store. In June of 1998, small floralwreaths appeared atop the two main gateposts. Presently, the relocatedgateposts are part of a small memorial area, along with a park bench andflower beds, located at the entrance to the shopping center and adjacentsubdivision.3. Johnson's memorial was painted over by unknown persons in early2001 (Osborne 2001). Johnson's mother, Mary Boyd, who painted themural in 1989, has since repainted it.4. Foote discusses this kind of informal, interstitial communicationabout death sites with particular regard to John Dillinger, Bonnie Parker,and Clyde Barrow (1997, 212).5. For example, see Young's account of vandalism of a Holocaustmemorial at San Francisco's Jewish Museum (1993, 317-19), and Foote'sreport of similar problems occurring at the Haymarket riot police monu-ment in Chicago (1997, 138-41).6. While the Turners, as well as Pechilis, focus on established, con-ventional religious pilgrimage, Marion Bowman discusses New Age pil-grims as well as Christian visitors to Glastonbury. David Hufford's writinghere is concerned with pilgrims to St. Anne de Beauprd in Quebec.
The movie was produced by Warner Bros., where Steven Spielberg was a vice-chairman. Another of the movie's executive producers was Richard D. Zanuck, who had been one of the executive producers of E.T., Spielberg's first big-budget film, released in 1982. In the 1980s, Spielberg and Zanuck had made nine feature films together:
With this screenplay I shall begin by making myself clear inone way. The screenplay I have written will be, in every sense,a version of history. Though I have chosen one incident (the death ofMary Phagan) and one person (Mary Phagan's twenty-five year oldnephew, Leo Frank) to investigate, the film is not intended to bean exposition of the crime, but rather an interpretation of it. It willnot be a documentary of the crime, but rather a biography of thecrime.
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